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A 1957 tweed Vibrolux was reported with a tube chart printed with circuit “5E3” (tweed Deluxe) instead of the correct 5F11 (see photo).
Clearly Fender wasn’t afraid to use incorrect parts when they were in a bind. The 5G12 Concert is the earliest version from very late 1959 and early 1960 so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.
Note the check boxes for DOM (domestic US model), EXP (export model), CSA (Canada model), STD (standard) and SPEC (special).
I have to wonder how often Fender used the SPEC check box and what features a “special” amp or cabinet would have?!
Note the removal of the voltage selector switch and hard-wiring. I just discovered that the silverface Bandmaster speaker cabinet (the big, tall one without tilt-back legs) is ported (see photo). I guess this is what the 1969 catalog refers to as “large, individual specially designed baffles.” And all along I thought the big n’ tall silverface cabs were just a macho thing to compete against the awesome looks of a Marshall half stack or full stack.I remember two 'suits' from upstairs standing behind me occasionally doing time studies.